In an article by Christopher Hart, he says MJ was all hype. Check it out below.
He made me ‘believe in magic,’ says P. Diddy. ‘His wonderment and mystery make him legend,’ gabbles Steven Spielberg. He was a ‘genius’, claims Justin Timberlake.
Really? What, like Shakespeare and Michelangelo? With the best will in the world, I don’t think anything in Michael Jackson’s back catalogue can quite compare with Hamlet or the Sistine Chapel.
As for those who are now comparing him to Mozart and Beethoven – on Radio 4’s flagship Today programme, of all places! – the only explanation is that they have never actually listened to the great composers. Amid all the hysterical gush about Michael Joseph Jackson, including toe-curling contributions from our own celebrity suckers, Gordon Brown and David Cameron, some gentle reminders might be in order.
Back in the Seventies and Eighties, Jackson wrote some pitch-perfect dance pop songs which will never be surpassed. If you’ve never tapped your toes to Beat It then you must have no sense of rhythm, and if you’ve never hit the dancefloor to Billie Jean, you haven’t lived.
But let’s keep things in proportion. For the past 20 years of his sad and tattered life, Jackson was a walking zombie, a ghastly realised version of the living dead in his Thriller video. Life imitates art and, in this case, it was a most gruesome fulfilment.
Despite the Peter Pan image, Jackson’s lonely death in an LA hospital was a pure rock ‘n’ roll cliche. Where were his celebrity friends then?
And the painkiller that he seems to have been taking just before his death, Demerol, is no junior aspirin. It’s an immensely powerful synthetic morphine, chemically similar to heroin, and known to be potentially lethal. What on earth was going on?
Unfortunately, a miasma of squalor, mystery and downright dishonesty has swirled about Jackson for years. Despite the weirdest and most implausible denials, we all know the star long ago set out to look like a white man – or even a white woman.
Yet he and his croneys always insisted his changing skin tone was due to the condition vitiligo – this causes patchy depigmentation. It does not turn black people white.
Jackson was an influential example of that terrible form of self-loathing called cosmetic skin whitening, and his contribution to the cause of black equality was wholly negative.
Comparing the crumbling, ravaged pseudo-features of the middle-aged recluse with the happy, smiling little black boy of the early Jackson 5 is heartbreaking. But in Jackson’s childhood, glittering with early fame and fortune but sadly lacking in the normal pleasures of careless play and anonymity, the seeds of his later ruin were sown.
He spent the rest of his life trying to avoid adulthood through gross self-indulgence and vapid fantasy. Even creepier than the plastic surgery were the rumours from the Neverland ranch, the ’sleepovers’ with barely pubescent boys, which he described as ‘a beautiful thing’.
Jackson was acquitted of child abuse in 2005, but after previous allegations in 1993, he paid out a vast $22 million to the boy’s father in exchange for their silence.
These uncomfortable facts have conveniently been forgotten in the Niagara of celebrity twitter, grotesque exaggeration and false sentiment that’s scaling heights of mawkish sentimentality not seen since the death of Princess Diana.
Madonna, Demi Moore and Britney Spears have made their feelings known – not in private, to Jackson’s family, of course, but to the world. And the basic dishonesty continues. Geller, the famous spoon-bender, says his close friend Jackson had recently been ‘terribly fit and basically in good shape’. No he wasn’t. He had a chicken bone for a nose, was in and out of a wheelchair, and looked increasingly like Bette Davis in Whatever Happened To Baby Jane?
Black civil rights campaigner Rev. Al Sharpton has hailed him as a ‘historic figure’, like Abraham Lincoln or Martin Luther King, and said he ‘made culture accept a person of colour way before Tiger Woods’. Didn’t the Rev. Al ever notice anything funny about Jackson’s colour?
Enough of this delusional postmortem hype,please. A handful of Jackson’s tunes will last as long as people love pop music – that’s no mean achievement – and at his peak he could dance like Fred Astaire.
But he was also a deeply flawed individual who lived a life of consistent and cowardly denial and evasion. For whatever messy psychological reasons, Jackson could never be honest about himself. At least we should be.